Lee Arts Center Master Workshop Program Spring 2012

by Vicki Hardin on March 1, 2012

robert-briscoe
Seriously Simple, Searching for a Large Presence in Quiet Ways With Robert Briscoe
Saturday & Sunday, May 19 – 20, 2012;   10:00 am – 4:00 pm

Join us in this two day demonstration workshop with well known functional potter Robert Briscoe as he shares his techniques for wheel throwing and wet altering. Robert will go through an impressive amount of clay on the wheel and show his process of assembling pots to express and reflect the ‘subtlety and nuance’ of his aesthetic.

Robert will also engage participants in a variety of discussion topics:

  • How we search for a voice in our work
  • Making a sustainable living as a potter
  • The relevance of functional pottery in a modern world
  • Can simplicity in pottery stand out in a noisy world?
  • Organizing working days and work cycles

He will also address articulating quiet ceramic forms, using slips and under glazes, and glaze surface and form integration.

Robert Briscoe lives in rural Harris, Minnesota and has been a potter for over 40 years making functional stoneware. His work is focused on quiet earthy wood ash glaze surfaces on loosely made pot forms.

Robert Briscoe lives in rural Harris, Minnesota and has been a potter for over 40 years making functional stoneware.  His work is focused on quiet earthy wood ash glaze surfaces on loosely made pot forms. 

His work is collected throughout North America.  Selected collections include the Weisman Museum of Art, Minneapolis MN, the Renwick Gallery at the Smithsonian Institution at, Washington DC to name a few  He has exhibited in numerous one-person shows, group exhibitions, and at art festivals such as the Smithsonian Craft Fair, the Cherry Creek Arts Festival, the Philadelphia Craft Fair, as well as the Washington Craft Show. His work has been featured in AKAR online gallery and published in many ceramic magazines and books.   Please visit his website at www.minnesotapotters.com  for more information on the artist.

For more information on the workshop please visit our website at www.leeartscenter.com

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New Paths: 9 Emerging Ceramic Artists

by Vicki Hardin on February 29, 2012

March 3-31st, 2012
Opening  Saturday, March 3rd 6-9 PM

18 Hands Gallery presents 9 of the top 15 "Best Emerging Artists" of 2011 named by Ceramics Monthly Magazine in their annual review of new ceramic talent


Participating Artists:

Meredith Host, Mike Jabbur

Darien Johnson, Myungjin Kim

Courtney Murphy, Kip O’Krongly

Douglas Peltzman, Angelique Tassistro

Yoko Sekino-Bove

18 hands-1

18 hands-2

18 Hands Gallery
249 W19th Street
Houston, TX 77008
713-869-3099

www.18HandsGallery.com

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Bede Clarke

by Vicki Hardin on February 26, 2012

Bede Clarke’s goal is to make quiet, simple pots. Although some may consider them simple, they are also parallel elegance.  Works such as these will still command a presence when others that loudly scream for attention have long been parted from their owners. Bede Clark’s work can be purchased online at Schaller Gallery. Click here to view  and purchase her work

bede-clarlk

bede-clark

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February 13 – March 15, 2012
Push Pull – Ceramics by Hayne Bayless and Tom Spleth.

Push – Hayne Bayless’s distinctive work comes from the process of extrusion (pushing clay through a die). Pull – Tom Spleth creates his delicate forms through the process of slip casting (liquid clay is poured into a plaster.

Click here to view the exhibit online.

TSF04

Tom Spleth Panda Cup

HBF01

Hayne Bayless Teapot

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Take a Ceramic Workshop with Angelica Pozo

by Vicki Hardin on February 20, 2012

Cleveland, Ohio – Angelica Pozo’s Studio – Earthen Angel Ceramics
For complete schedule : http://www.angelicapozo.com/pages/about_me/wrkshops.html

May 19 & 20, 2012
Tile! What a Relief!

Relief tiles – a delight to the sight and a pleasure to the touch… It’s exciting to venture from the flat tile plane towards the third dimension. But one of the biggest challenges for those beginning to do relief sculpting is to avoid the tendency to add excessive clay as one attempts to create a greater illusion of depth. In this workshop I will show you how to avoid that pitfall. Relief texture can be especially enhanced when finished with an appropriate glazing solution. I’ll discuss that as well as I show test tiles, offer suggested glazes, including list of commercial glazes and formulas that work with the terracotta tile clay we will be using. I’ll start you off with individual tiles and have you finishing up with a 4 tile panel to get a taste of working on a larger project.

June 2, 3 9 & 10, 2012
EXTERIOR TILE: Mosaic Garden Project

Make something you can beautify your garden with this summer! In this workshop you get to work on your choice of  project(s)– It can be mosaic stepping stones, a birdbath and/or a wall piece for an exterior installation.

You’ll learn the basics involved with creating and installing ceramic tile work for exterior situations in northern climates while you make something you can use in your garden this summer. First weekend will be spent forming, decorating and cutting the tiles. I’ll then dry and fire your tile piece. Second weekend would be dedicated to installing on Saturday, and grouting on Sunday.

June 23 & 23, 2012
Creative Tile Making

One of the aspects I’ve always enjoyed about tile is the diversity of decorating and forming techniques available and the facility with which one can combine them all in one piece. Utilizing different approaches in one panel gives you the opportunity to frame, to provide contrast, give dramatic focus or to just plain ol’ make the piece more interesting.

In this workshop, I will guide you in doing just that. Participants will create tile panel and mosaic pieces that combine a variety of tile decorating techniques. Working with a terracotta tile clay, I’ll start you off with my secrets for flat tile perfection. Then I’ll demonstrate a selection of wetware decorating techniques. Students will have the opportunity to practice these methods on small individual tiles, but will be lead to apply them right away on a larger panel. Starting with a small central image or panel, I’ll encourage you to build the piece out, concentric row by row of tiles until the panel feels complete. In this exercise students will also be gaining an understanding of how to gauge and plan for shrinkage and grout lines as they figure the sizes of the tiles that will frame their central panel.

The workshop will culminate with a discussion and demonstration of proper tile installation practices.

August 3 – 6, 2012
EXTERIOR TILE: Bench Project

This workshop will cover all the necessary stages to creating and installing a ceramic mosaic tile overlay for a concrete garden bench, starting with the design/planning stages, through the tile making and decorating stage and finally the installation and grouting, with emphasis on the specific requirements needed for an exterior handmade tile project.   Instruction will include special tips for the arts educator who would like to complete such a project collaboratively with their students, however information will be useful for all who would like to learn how to create and install exterior tile pieces.

All students will get hands on experience as they work together on two of my benches. We’ll work concurrently on the two benches. Each day of workshop, we’ll complete a stage of wet work on one bench as well as a step of the installation process on the second bench. This is to help condense the time so that participants may see and experience all the steps involved in a tiled bench project within the 3 days of the workshop. Meanwhile each workshop attendee will design and create their own 12 x 12 mosaic panel, which they get to take with them or leave for me to fire and ship.  At home the panel can be installed onto a concrete stepping stone, so that you can review all the installation steps for yourself before tackling a larger project.

Also part of the experience will be a slide presentation of Angelica Pozo’s tile studio work, numerous public art and school collaborative art projects to send you off with plenty of ideas and inspiration for what you could do in your studio or classroom projects.

October 6, 2012
Wetware Decorating Extravaganza!!!!

Sidle up to a rich smorgasbord of wetware decorating techniques. Low fire terra cotta tile will serve as the canvas for carving, impressing, stamping, combing, chattering, sgrafitto, slip trailing, masking and inlaid slip techniques. Students, working on both individual tiles as well as larger tile panel pieces, will be encouraged to practise the specific processes, as well as to experiment by altering and combining multiple techniques for interesting effects.

With the limited palette of white and black slip and the lights and darks created by our manipulation of the tile surface, we’ll be able to concentrate on texture, pattern and how to utilize it to enhance imagery. Drawing transfer techniques will also be covered so come prepared with your own drawings and sources of visual inspiration, if you like, though some will be available to arouse your creative juices.

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Ceramic Artist Showcase: Debra Fritts

by Vicki Hardin on February 18, 2012

Debra Fritts is a studio artist working in Roswell,Georgia.She received her undergraduate degree in Art Education from the University of Tennessee,Knoxville and continued graduate studies in ceramic,sculpture,painting and printmaking,Debra currently teaches sculpture classes and hand building classes at Art Center West in Roswell and conducts master classes and workshops nationally.

Debra enjoys national recognition for her work in ceramic sculpture through invitational exhibitions and awards,museum exhibitions,gallery representation,private collections,and publications.Her sculptures are hand built and multiple fired with a painterly glazed surface.The work is autobiographical-a continuous story of life and daily living.

 

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A National Juried and Invitational Exhibition juried by Tyler Lotz and Erin Furminsky at The
Carbondale Clay Center in Carbondale, Colorado. This exhibition is open to all types of sculptural ceramics as well as small installations. Clay should be the primary medium. Artwork under $2000 preferred. All work must have been completed within the last two years.

Exhibition dates: June 1st– July 2nd 2012
Public Reception: First Friday, June 1st 2012 6-8 pm
Application must be received by: Friday, April 27th
Notification of acceptance by email: Monday, May 7th
Accepted work delivered to CCC Gallery by: May 28th 2012

Click here to download prospectus for more information

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Pete Pinnell Workshop, Kansas City, MO

by Vicki Hardin on February 18, 2012

pinnell-5April 7, 2012
KC Clay Guild 200 74th Street, Kansas City

KC Clay Guile announces that a Pinnell workshop will take place April 7th, 2012. Pete will demonstrate a variety of techniques on and off the wheel, throwing and hand-building a series of functional forms. While doing so, he likes to engage the attendees in conversation about the field of ceramics, discussing both the philosophical and practical aspects of working as a ceramic artist. In addition to the demonstration, Pete will present a short Powerpoint about his work.

For more information visit http://www.kcclayguildstudios.org/

pinnell2  pinnell-3  pinnell-4

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Call for Entries: KC Clay Guild 2012 TEABOWL NATIONAL

by Vicki Hardin on February 18, 2012

1328832927Entry Deadline: June 1, 2012

Juror: Bede Clarke. His work is exhibited and sold in national juried shows and many ceramics books. He’s conducted over 200 workshops throughout the US and Canada. He has also authored several articles in Ceramics Monthly. Bede is also Professor of Art at the University of Missouri, Columbia.

Eligibility: Arts applicants must be at least 18 years of age and reside in the United States to participate.

Entries: Entry fee is $30.00 for up to three works per artist. Art work must have been completed within the last two years. Work must reflect the theme of the show…teabowls. Work must not exceed 9" in any direction. Artwork may not exceed $500.oo in value (for each piece). Make checks payable to KC Clay Guild (KCCG). Submit entry form with your image CD by the postmark date. No entries will be accepted *after* the date. CD’s will become the property of KCCG.

For more information, download prospectus at http://www.kcclayguildstudios.org/

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Call for Entries: Juried Art Tile Show

by Vicki Hardin on February 18, 2012

Silver City’s First Celebration for the Love of Clay, August 3 – 5, 2012

Silver City NM announces the first annual celebration of New Mexico clay. The Silver City Clay Festival will showcase tile, pottery, and adobe. There will be three days of workshops, demonstrations, sales, and exhibits of clay art of all kinds; child-friendly activities, lectures, tours, and films; receptions, dances, and galas.

The Silver City Clay Festival’s Juried Art Tile Show is open to all artists residing in the usa, Canada, and Mexico. Entry deadline: MARCH 30, 2012

• All submitted work must be original, must be executed since January 1, 2011, and must not have been previously submitted for other shows.

• Tiles must not be larger than 12” by 12” and must be prepared for hanging.

• Tiles can be mono- or poly-chromatically glazed, high or low relief, cuenca, cuerda seca, majolica, sgraffito, china painted or a mosaic composite.

• Each tile submitted must be entered into one of the following categories:
A. Animals/Whimsy
B. Abstract
C. Faces/Portraits
D. Historic Native American
E. Touching on the Sacred

• Tiles must be entered for jurying as digital images on CD (requirements below), and all digital images will be viewed anonymously.

• A maximum of three (3) tiles may be entered.

• Accepted tiles that differ greatly from the submitted images will be disqualified.

• Accepted tiles must be available for sale.

• Accepted tiles may not be withdrawn or sold outside the show prior to the end of the show.
CD REQUIR

CLICK here for the Juried Art Tile Show Prospectus!

 

Juror: Alfredo Ratinoff

Fees: $20 for 1 entry; $25 for 2 entries; $30 for 3 entries.

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